Isabel Collis
Isabel Collis is known for What Goes Around (2020).
Isabel Constable
Isabel Constable is an actress, known for My Senior Year (2020).
Isabel Costa
Isabel Costa is an actress, known for Encontro Silencioso (2017), SUBSOLO (2018) and Verão Danado (2017).
Isabel De Francesco
Isabel De Francesco is known for The Lost Door (2008).
Isabel De La Cruz
Isabel De La Cruz is a Puerto Rican actress born in Santurce, Puerto Rico. At a very young age, she expressed interest for the arts. By the age of six, her favorite hobby was drawing. She was also a very active child so she spent most of her childhood playing sports and practicing martial arts. Isabel discovered her passion for acting at the age of 11 and became a part of her school's theater club. However, she also loved math and science and, since an acting career was not feasible at the time, she decided to pursue a career in Science. She got admitted to the University of Puerto Rico in Humacao, where she studied three years of Computational Mathematics, but because she realized she didn't want to sit on a computer all day for the next 30 years (again, she was an active child), she transferred to the University of Illinois to become a Neuroscientist. In 2012, she obtained her Bachelor's degree in Molecular and Cellular Biology, but dedicated her spare time to writing, drawing, and scientific research. After three winters in the Midwest, Isabel decided she had seen enough snow, so she moved to Florida. It was there where she decided to give her acting dream "a shot". While she was working at a lab, she enrolled in the Meisner Master Program at Truthful Acting Studios and fell in love with acting all over again. It was in Orlando, FL where she got started performing, both on camera and in theater. Among a few other projects, Isabel participated in the play "Los Clavos Y La Cruz", where she played the role of the Samaritan Woman. When the play was over, a lady from the audience hugged her and thanked her for her performance. This moved Isabel so deeply that she decided to make acting her only career, so she left her science job, packed her car with everything she could fit in it, and moved to Atlanta, GA. In Atlanta, Isabel has been training with multiple teachers, including Robert Pralgo, Sherrie Peterson, Abel Arias, among others. She has worked on multiple films and TV series, including MacGyver, Insatiable, Homicide Hunter: Lt. Joe Kenda, #Murder, Murder Calls, Relics of the Madre Vena, Midnight Carnival, Between, Aborted, He Who Laughs... Again, and the Spanish short film La Piñata. She has also become part of the theater community and has been part of the Onion Man Production's Summer Harvest 2015 and 2016 where she played the roles of 'Deb' on How Penny Got Her Pep Back, and 'Mary Ludwig Hayes / Molly Pitcher' on Crossing the Delaware, respectively. In 2016, she was also part of the play The Secret of Shahrazad, where she played the role of 'Servant to Shahrazad'. It was during the duration of this play that Isabel met the love of her life, her now-husband, actor Chris Marks. In 2018, she re-joined the Onion Man Productions to present the stage reading State of Disunion, where she played the roles of 'Melissa' in How to Undo Thousands of Years of Female Oppression and 'Christopher Columbus' in Rubble Without a Cause. In 2019, she joined Latinas in Media Atlanta and A.I.R. Entertainment in their showcase "Mi Familia" at Rob Mello Studio. There, she participated in the one-act play "Stuck in the 1940's", where she played the role of 'Darcya', a woman who had to reveal to her old-fashioned mother her deepest-rooted secret.
Isabel Dean
In a career spanning 50 years, Isabel Dean demonstrated talent and versatility while never fulfilling the great promise initially indicated. With large eyes and classically chiseled features, she became best known as an exponent of somewhat steely patrician ladies of elegance and breeding. That she was capable of much more was demonstrated by her work on stage in both the classics and contemporary drama, but most of this was done in provincial theatres, partly no doubt because early in her career she offended "Binkie Beaumont", the West End's leading theatrical manager. She was born Isabel Hodgkinson in Aldridge, Staffordshire, in 1918. Her first ambition was to be an art teacher. She studied painting at the Birmingham Art School and in 1937 joined the Cheltenham Repertory Company as a scenic artist. Soon she was taking both acting lessons and small parts with the company. "It was inevitable, with her ravishing looks," commented one of the company later. After appearing with repertory companies in Brighton and Norwich, she made her London debut on 1 May 1940 as Maggie Buckley in an adaptation of Agatha Christie's thriller Peril at End House, following this with a Shakespearean role, Mariana in Robert Atkins's Regent's Park production of All's Well That Ends Well. A major break came in 1943 when she played Jenny in John Gielgud's celebrated production of Congreve's Love for Love at the Phoenix. The following year she was asked to join Gielgud's repertory company at the Haymarket, again playing Prue in Love for Love, but also understudying Peggy Ashcroft as Ophelia to Gielgud's Hamlet (the last time the great actor played the role). She played Ophelia several times when Ashcroft was sick and followed this with a performance as Hermia in A Midsummer Night's Dream which, according to Harold Hobson, was "as pretty and sharply defined as it was lovely". When Beaumont asked her to go with Gielgud's company to tour India, but only to play the role of the maid in Coward's Blithe Spirit and again to under-study Ophelia, she refused and Beaumont made it clear he considered her ungrateful. She never worked for his management again and made few more West End appearances. Instead she played leading roles in Oxford, Brighton and the Boltons Theatre, including a luminous Juliet. She returned to the West End in 1956 to play Mary Dallas in the thriller The Night of the Fourth at the Westminster, and three years later played Miss Frost, the Catholic lodger seduced by a young student, in the hit production of J.P. Donleavy's The Ginger Man at the Fortune. She had meanwhile become a familiar face on television. She had the principal female role in Nigel Kneale's enormously popular blend of science-fiction and horror The Quatermass Experiment (1953), six 30-minute episodes which went out live, with filmed inserts. Dean played the scientist whose astronaut husband returns from a mission with an alien infection that causes him to mutate into a vegetable-like creature. When A Life of Bliss, a successful radio comedy series, was transferred to television with its original star, George Cole, as the bumbling bachelor hero, Dean was cast as his forthright sister Anne. Other television roles included Jane Austen's Sense and Sensibility, David Mercer's The Parachute (as mother to John Osborne), Julian Bond's 13-part series A Man of Our Times and a high-toned soap-opera, 199 Park Avenue, sat in a luxury apartment block where the stories of the inhabitants are linked by a gossip columnist searching for stories. Created and written by Dean's husband, William Fairchild, it went out twice weekly, but lasted only nine weeks. (Dean's 1953 marriage to Fairchild, who wrote such screenplays as Morning Departure, The Malta Story and Star!, was dissolved in the early Seventies.) In the theatre, she had successes in several contemporary plays, including the Royal Court production of John Osborne's A Hotel in Amsterdam (1968), which moved into the West End, and in provincial productions of Orton's What the Butler Saw and John Bowen's chilling Robin Redbreast. She had a particularly notable triumph as Hester in Rattigan's The Deep Blue Sea (at Guildford in 1971 and Nottingham in 1972), once more following in the footsteps of Peggy Ashcroft. Her wrenching portrayal of the clergyman's daughter, married to a High Court judge, who leaves her husband to pursue a hopeless and obsessive affair with a young air force pilot, clearly demonstrated that Dean's gifts had not always been appropriately exploited. In 1977 she played with Gielgud, for the first time since she had been his Ophelia, in Julian Mitchell's Half Life at the National Theatre. Dean's film career began in 1943 with a tiny role in The Man in Grey. Later films included Lean's The Passionate Friends (1948), and Sidney Gilliatt's The Story of Gilbert and Sullivan (1953), in which she was the epitome of droll elegance as wife to Robert Morley's Gilbert. "How does it feel to be married to a transcendent genius?" asks her husband as he puts the finishing touches to The Mikado. "I suppose I've always taken it for granted, dear," is her reply. In Alexander Mackendrick's A High Wind in Jamaica, she presented a beautiful and touching picture of Victorian motherhood in the film's early sequences. Her last appearance on the West End stage was as the tragic mother of Alan Turing (Derek Jacobi) in Hugh Whitemore's Breaking the Code (1986). A few years earlier the critic Harold Hobson had written: "Our own stage is rich in actresses of whom the chief jewel is Peggy Ashcroft - and the most undervalued is Isabel Dean." Dean died aged 79 in 1997.
Isabel Deroy-Olson
Isabel Deroy-Olson is known for Three Pines (2022) and Fancy Dance.
Isabel Desantis
Isabel Desantis is known for Immaculate (2024).
Isabel Dickson
Isabel Dickson is an award-winning actress, director and writer from the Gold Coast in Australia. She has a Diploma of Screen Acting from Screenwise, an Advanced Diploma in Performing (Speech and Drama) from Trinity Guildhall London, and has trained in LA with renowned acting coach, Howard Fine. In 2021 she wrote, produced, directed and starred in her debut short film, Rapid, where she played an artist with bipolar disorder. Her performance won Best Actress at Berlin Indie Film Festival, Best Actress at Paris International Film Awards, Best Actress and Best 1st Time Director at the Best Actor and Director Awards New York, Best Actress at the Serbian 1st Monthly Film Festival, Best Actress at Stockholm City Film Festival, Best Actress at Falcon International Film Festival, Best Actress at the Gold Movie Awards and has been officially selected in several festivals across Europe, USA, UK and Australia. Isabel has built an impressive resume in film, tv and theatre. Her experience, passion and skill has allowed her to play a wide array of characters from a goth mortician in the series Killa Kafe (Best Ensemble at Miami Web Fest), a Harvard student turned psychopathic killer in the award-winning feature Ravenswood, and a teacher of delinquents in the play The Spoils by Jesse Eisenberg, in which she received excellent reviews. In January 2022 she wrapped on her second short film, Blind Turn, on which she is the director, co-producer and writer. She also holds a Bachelor of Communications from Bond University.
Isabel Dilena
Isabel Dilena is an actress, model and screenwriter based in Melbourne. She studied acting at the New York Conservatory of Dramatic Arts, Film and Television Studio International, and Brave Studios. Isabel held a leading role on an Amazon Prime/Channel 9 series, along with guest roles on My Life is Murder, Hungry Ghosts, and Flunk series. She has also performed in lead roles in TVCs for Mazda, Priceline, Cenovis, Coles, Job Active, and National Tiles. She made her producing debut last year with a short film she wrote, Liquor Slick Dreamland. In 2020/21 she has worked as a Notetaker in Writer's Rooms with 720 Creative. She has also trained extensively in American Accent, and is now also studying in Advanced Actor's Workshops at Brave Studios, designed for professional actors. Isabel is represented by McMahon Management.
